Two people standing apart on a stone pavement, one wearing black with a red scarf, the other in a black dress, at night.

Two individuals wearing dark uniforms and caps stand on a dimly lit stage, one speaking into a microphone while the other stands nearby. An "Exit" sign is visible in the background.

Theatrical performance with actors on stage with blue lighting

A group of people dressed in black clothing performing an outdoor theater piece. Some hold red fabric, standing on a stone pavement near a brick building, with trees in the background, under nighttime lighting.

A theater stage set up as a living room with actors in work uniforms walking across the stage.

Group of actors performing on stage with blue lighting, wearing casual military-style clothing.

Group of people in black outfits performing a synchronized outdoor dance at night with red scarves, in a stone courtyard with illuminated trees and buildings.

Outdoor performance with a group of people dressed in black, holding red fabric, standing in front of a stone wall.

Performers on stage in dim lighting with a blue backdrop, dressed in casual attire, engaged in expressive movement, possibly part of a theatrical or dance performance.

Nighttime outdoor gathering with people on a plaza, including a group in black and red outfits. A lit café with outdoor seating is on the left, and spectators are seated around the square. Trees and buildings are visible in the background.

Group of actors performing on stage in dramatic lighting, wearing casual and military-style clothing.

About my acting

Two people are outdoors in a park. One person is bending backward while another person seems to be assisting or observing. A third person is standing nearby. The background features trees and a stone wall.

Being extensively trained in Suzuki, Viewpoints, Stanislavsky, and Laban, I approach performance from an adaptable place to find sensitivity and sincerity in every performance.

From physical ensemble pieces to Greek tragedies to introspective naturalism, I excavate what the piece says about the world.

Training in Japan, India, and Greece honed my understanding of the intersection of theater and universal spirit. I gained deep respect for the heritage of the art form, and that I need to bring my full being to the work.

I believe that what we create, and the stories we tell, changes lives. That is why I work: to be a servant to the art and to the audience.